KARACHI: A preview of the
exhibition ‘Paradi
se on E
arth: Manuscripts, Miniatures and Mendicants from Kashmir’ was held on Sunday at Mohatta Palace Museum.
The
exhibition was inaugurated by Azad Jammu and Kashmir (AJK) President Sardar Masood Khan, who lauded the Kashmiris for their courage and resilience in sustaining their artistic traditions, despite facing such hardships.
The objects for this
exhibition have been generously loaned by the National Museum of Pakistan and various private collectors. The
exhibition will be open for public Wednesday onwards.
“The
exhibition explores the artistic traditions of the region. The Kashmir valley’s natural beauty has been lauded by poets and princes over the centuries. Routes through th
e valley were traversed by invaders, traders, missionaries, pilgrims, artists and political envoys,
all of whom brought with them different faiths and philosophies, creating a culturally rich region,” said Sardar Masood.
The displays are based on the following themes: A History of Kashmir presents a brief overview of Kashmir from ancient times to the present. It summarises the complex history of the region and highlights the extraordinary Diasporas that inhabited th
e valley.
Among the texts being produced in Kashmir, Qur’an occupied a pre-eminent position. The Illuminated Page theme reveals how master calligraphers and illuminators worked together to create works of art with opulent decorations and magnificent scripts.
Kashmir has been a centre of manuscript production since the advent of Muslim rule in 1320 and some of the Mughal world’s most celebrated artists originated from th
e valley. The Illustrated Page theme presents the rich tradition of manuscript illustration with a selection of Persian literary and spiritual texts.
Artistic Contacts: The World Beyond Kashmir theme is about migration and mobility that lies at the heart of Kashmir’s diverse artistic traditions. At the crossroads of Central Asia, South Asia, Iran and China, th
e valley was exposed to a wide range of artistic styles and practices.
The connections forged through cultural exchange are illustrated through paintings and manuscripts from neighbouring artistic centres, including those from the Pahari region of the Himalayan foothills.
Decorative Arts section included a variety of exquisite objects in silver, copper, bronze and gold, carved and lacquered wood, woven and embroidered textiles.
